Photography
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Why We Moved from Arizona to Norman, Oklahoma: A Personal Journey
For over a year, my wife and I had been on an exhausting search for a used home we could actually afford in Arizona. With housing prices skyrocketing and my vision declining, our choices felt increasingly narrow. We could have stayed and poured every dollar into exorbitant rent, leaving us scraping by without enough for basics like food, or we could pack up and start fresh elsewhere. As much as we both adored Arizona’s landscapes, climate, and memories, it simply wasn’t sustainable. Tough as it was, we knew it was time to leave.
My wife’s family roots run deep in the Norman, Oklahoma area, and I’d fallen in love with the place during a week-long visit we took a while back. The friendly vibe, the open spaces, and the genuine warmth of the people stuck with me. So, we turned our sights eastward. In Arizona, even a modest one-bedroom felt out of reach on our average salaries, but crossing a couple of states into Oklahoma opened up possibilities we hadn’t dreamed of. After months of careful research, heartfelt discussions, and weighing every pro and con, we took the plunge and bought a charming three-bedroom home right here in the Norman area.
We’ve been in our new house for nearly a month now, still surrounded by half-unpacked boxes and bubbling with that new-home excitement and aching back. The sense of community here feels real and immediate, a far cry from the isolation we sometimes felt before.
Just the other day, for the first time since moving in, I ventured out for a longer adventure: a roughly four-mile walk exploring parts of the city. Downtown Norman is buzzing with activity these days, with quite a bit of construction reshaping the area, new developments, infrastructure upgrades, and revitalization projects that promise to breathe even more life into the heart of the city. Navigating those zones as a legally blind guy could have been tricky, but the construction crews were incredibly kind and patient, guiding me safely through the hazards with clear directions and helpful hands. I had an absolute blast chatting with folks along the way, strangers who stopped to talk, share stories, or just say hello. The whole experience left me feeling safe, connected, and invigorated.
That said, Norman isn’t without its challenges. Like many growing cities, there’s a visible issue with homelessness, and the city council has been deeply engaged in debates about solutions, including proposals for a permanent shelter funded through a bond vote. With budget deficits and ongoing discussions about priorities, it’s a complex topic that reflects the city’s commitment to addressing real needs while balancing resources. But beneath those growing pains, Norman brims with character, the kind that’s hard to find in bigger, more polished places. The people here are genuinely great: down-to-earth, helpful, and quick to lend a hand.
As a classic university town, home to the University of Oklahoma, Norman pulses with energy. You’ll encounter all walks of life, students, professors, families, artists, and athletes creating a vibrant mix that’s always refreshing. There’s constantly something happening: games at the stadium, events on campus, festivals, or just the lively hum of daily life. It’s big enough to feel like a proper city (without the overwhelming chaos of nearby Oklahoma City), yet it retains that welcoming, small-town heart, perfect for this country fella who’s always preferred wide-open spaces over endless sprawl.
The one thing I’m still hunting for is that perfect coffee spot with the right community feel. There are plenty of options within easy walking distance, Starbucks, Dutch Bros, Stella Nova, and more, but they’re not quite hitting the mark for me. Back in Payson, Arizona, I was a regular at Common Grounds, a true local hangout where folks gathered every morning to chat, catch up on news, and build real connections. They even kept my own dedicated coffee mug on a special hook, complete with Braille labeling so I could find it easily. It felt like home.
Here in Norman, I’m optimistic I’ll discover something close. I’m planning to explore them one by one until I find that spot where I can become a regular again.
All in all, we’re thrilled to be here in Norman, putting down roots and embracing this new chapter. Our home feels like a true blessing, spacious, affordable, and filled with potential.
As we get more settled, I look forward to sharing more stories and diving back into writing about my lifelong passion: photography and vintage film cameras. Being legally blind hasn’t dimmed that love one bit. With no useful vision in my left eye and just a narrow 5-degree tunnel in my right, the world is mostly shadows and shapes to me. But photography has been part of my life for decades. It’s about feeling the moment, composing through instinct and memory, and capturing beauty in ways that transcend sight. Old film cameras, with their tactile controls and timeless mechanics, are especially magical. I can’t wait to talk more about them soon!
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Progressively Blind Photography
As someone on the cusp of complete blindness, I’ve found joy and frustration in equal measure within the vibrant online communities for the blind and visually impaired. Social media groups buzz with stories of adaptation, innovation, and triumphs over adversity, reminders that we are not defined by our lack of sight but rather our spirit. This morning, whilst scrolling through my feed, I stumbled upon a post from Blind New World that caught my attention. It linked to an article in Amateur Photographer titled, “How Can a blind photographer take such great photos? Find out here.” As a photographer who’s been chasing light and shadow for nearly 40 years, selling prints and services for two decades of that time, any whisper of a fellow blind photographer pulls me in like a moth to a flame.
I double tapped the link, settled back, and let VoiceOver voice paint the words across my mind. At first, a smile tugged at my lips. Here was someone like me, turning limitation into art. But as the article unfolded, that smile faded into a thoughtful frown. The photographer in question, Gary, isn’t blind, he’s visually impaired, navigating the world through a haze of blurriness that, while challenging, still grants him glimpses of clarity I can envy. Don’t get me wrong, I am genuinely thrilled for Gary. His work is remarkable, a testament to persistence and creativity in the face of adversity.
Yet, I could not shake a quiet pang of disappointment. The title’s promise of a “blind” photographer felt like a gentle sleight of hand, one that blurred the lines between our experiences in a way that left me feeling a tad unseen. It’s a small thing, perhaps, but it highlights a broader truth I’ve pondered often: visibility in the photography world, especially for those of us with disabilities, often hinges on connections, contexts, and sometimes, a certain alignment with the cultural and political currents.
From my own perspective, I’ve watched patterns emerge in the stories that break through and get attention. Time and again, the blind photographs who grace magazine pages or TED stages seem to hail from he art world or carry a progressive left wing banner. It’s an observation born of countless hours of reading articles and being involved in photography for decades. These individuals often arrive at photography with a pre-existing platform, galleries whispering their name or networks amplifying their voice through he lense of activism. In an industry where “edgy” and “avant-garde” can open doors, a narrative laced with political fervor for the left or artistic pedigree travels far. It’s the old adage of “it’s not just what you, but who you know”.
I write all of this not with bitterness, but with humility and the hope that one day I will get recognized for my work, not for a political stance. I’ve captured deserts that whisper of ancient secrets, canyons where rivers carve stories in stone, and everyday moments in parks. Like Gary, I shoot in black and white and love contrast. My work doesn’t sell. I have done everything possible to get my work out amongst the public, but it hasn’t caught the eye of a sponsor or a spotlight article.
The gentleman in this article says that he can’t use film cameras any more. That’s a choice. My vision is far worse than his, and I still shoot film and develop it at home. It’s not easy, but I do it because I love it.
What do you think? Have you encountered a “blind” story that didn’t match the label?
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White Cane Day Disaster
Today, October 15th, marks White Cane Safety Day, a national observance in the United States that’s been celebrated annually since 1964. It’s more than just a date on the calendar; it’s a powerful reminder of the incredible contributions blind and visually impaired individuals have made to the world, from innovators like Louis Braille, who revolutionized reading for the blind, to countless artists, scientists, and leaders who’ve shaped society because of their unique perspectives. But it’s also a stark call to action for all of us, especially motorists. The white cane isn’t just a mobility tool, it’s a symbol of invisibility. It screams, “We can’t see—please see us.”
As someone who relies on that very cane every day, I set out this afternoon with a mix of pride and purpose, heading to the post office on what should have been a routine errand. White Cane Day always stirs a bit of optimism in me, a hope that awareness will bridge the gaps in understanding. But reality has a way of humbling us, doesn’t it? Let me share what happened, because these aren’t just stories, they’re the everyday truths that underscore why this day matters so much.
I approached the crosswalk near my neighborhood, cane tapping rhythmically against the pavement, ears tuned to the symphony of traffic and distant engines. That’s when it happened, an electric car glided up silently, like a ghost in the machine. I stepped into the crosswalk and suddenly, a sharp honk pierced the air. The driver had the nerve to blast their horn at me, as if I were the one at fault for not leaping out of their path. I didn’t hear the car approaching; those whisper-quiet EVs are a nightmare for anyone navigating by sound alone. My heart raced, but I stood my ground, cane firmly planted. Blind pedestrians always have the right of way, and moments like this? They’re a brutal reminder that not everyone knows or respects that rule.
Shaken but determined, I continued to the post office, weaving through the parking lot with careful sweeps of my cane. As I walked behind what I assumed was an empty pickup truck, listening for any signs of life, the engine cranked to life. The driver, a kind-hearted lady as it turned out, must’ve been in a rush. Before I could react, shout, or sidestep, she began backing up. Thud. A light bump against my side, enough to send a jolt through me but not enough to knock me down. I might have a bruise blooming on my hip tomorrow, but honestly, no big deal in the grand scheme. She apologized profusely and asked if I was okay. “I was looking right at my backup camera,” she explained, “but you were in its blind spot.” She promised to double-check her mirrors next time, and I could tell the encounter shook her more than it did me. It’s encounters like this that humanize the statistics, turning abstract awareness into real empathy.
These aren’t isolated incidents; they’re the threads in a larger tapestry of hesitation that keeps many blind people sidelined from the streets. No matter how rigorous our Orientation and Mobility (O&M) training is, learning to navigate intersections, gauge traffic flow, and trust our senses, there’s always the wildcard: distracted drivers, overlooked signals, and yes, those insidious electric cars that sneak up without a whisper. It’s why we pause at curbs a little longer, why we grip our canes a little tighter. White Cane Day shines a light on this, urging society to not just recognize our achievements but to actively make space for our safety.
So, on this October 15th, let’s lean into the day’s dual spirit. Celebrate the blind trailblazers who’ve enriched our world, from Helen Keller’s advocacy to modern tech wizards coding accessibility into our digital lives. And to every driver out there: Scan those blind spots, yield at crosswalks, and remember what that white cane means. See us. Hear us. Make room for us. Because in a world that’s increasingly quiet and fast, awareness isn’t optional, it’s essential.
If you’ve got your own White Cane Day stories or tips for safer streets, drop them in the comments below. Let’s build a more visible path together.
Stay safe out there.
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Life’s Blind Illumination
If you’ve stumbled upon this little corner of the internet, thank you for being here. I’m just a guy who’s spent most of his life chasing light through a lens, and lately, that light has started to fade in ways I never quite imagined. This post isn’t meant to be a pity party or a grand manifesto, I’m no expert on resilience, just someone muddling through with a heart full of gratitude and a camera bag that’s gotten a bit lighter over the months. But writing has always been a quiet companion to my photography, a way to make sense of the frames I capture (or, these days, the ones I remember). So, with a deep breath and a humble nod to God, here’s where my story sits right now.
It started with a simple video. Yesterday, I hit record on my phone for Instagram, a raw, rambling clip from the heart about the sting of going blind and what that means for the photographs I’ve loved making. I poured out the ache of knowing I can’t nail those perfect compositions or exposures anymore, the kind that come from years of squinting at a scene with my one good eye and just knowing. Film has its own personality, doesn’t it? Fomapan with its moody shadows and tight latitude, Kentmere offering a bit more forgiveness in the highlights. Details like that live in my head, etched from decades of trial and error. But my eyes? They’ve decided to bow out early. Five doctors, the state of Arizona, and the U.S. government all agree: I’m beyond legally blind, teetering on the edge of total darkness. I wake up each morning bracing for the day it all goes black.
About two months back, the warning signs ramped up. Closing my eyes brought flashes of random colors and lights, like a faulty projector spinning out of control. That sliver of vision I had left, five degrees on a good day, turned blurry, turning the world into soft-edged blobs. I laughed it off in an article I wrote, calling everyone a “blob” because, well, humor’s been my shield against the heavy stuff. But reality doesn’t stay polite for long.
One afternoon, I picked up one of my trusty SLR film cameras, the kind that’s felt like an extension of my hand for years. I tried to focus. Couldn’t. The viewfinder swam into nonsense. Composition? Forget it—that narrow tunnel of sight wasn’t enough to frame a thought.
I found myself on a park bench that day, head in hands, weeping for what felt like hours. Self-pity wrapped around me like fog, thick and unyielding. It was the first time I’d let the full weight of it crash down. I haven’t lifted a camera to shoot since, not one single frame. In the haze of those weeks, I started selling off pieces of my collection, each transaction a quiet goodbye to the tools that shaped my world. All that’s left now are my beloved folding cameras, with their tactile folds and whispers of history, and two SLRs I just can’t part with. They’re like old friends I can’t bear to lose, even if they sit gathering dust.
Looking back, I’ve been dancing with this shadow for longer than I care to admit. As a kid, doctors warned I’d lose my sight in adolescence. It didn’t happen, praise God for that grace, and maybe that’s why I’ve poured everything into photography. Forty years as a hobbyist, twenty as a professional. Every click was a prayer, a moment stolen from time.
Through breakups and breakthroughs, lean years and laughter, that passion kept me steady. It wasn’t about fame or perfection; it was joy, pure and simple. Losing it? It’s like misplacing a limb. For months, I’ve wandered aimlessly, future a foggy outline. But I’m not alone in the drift, Jesus has been my anchor, my wife my soft place to land, and our three goofy pups? They’re the daily reminder that wagging tails don’t need perfect vision.
Yesterday morning, something shifted. I woke with a spark, not a wildfire, just a gentle glow. Determination, I suppose you’d call it. I dug into a folder of unreleased shots from a May trip, landscapes that still make my heart hum even if I can’t see them sharply anymore. I posted a few, tentative steps back into sharing. I didn’t head out to shoot, but the thought lingered, whispering maybe. The truth is, I hold myself to impossible standards, flawless light, impeccable lines that I wouldn’t dream of expecting from anyone else. It’s a humble brag wrapped in humility: I’ve been blessed with skill, but pride can be a sneaky thief. How do I create without chasing ghosts of what was?
This road to blindness? I wouldn’t wish it on my worst enemy. It’s lonely, riddled with “what ifs” that echo in the quiet hours. But here’s the quiet miracle: it led me to the blind center in Phoenix. Walking through those doors flipped the script. Suddenly, it wasn’t the end of my story but a pivot to a new chapter. I’ve met folks who get it, the raw grief, the stubborn spark. Some love photography as fiercely as I do, swapping tips on adaptive gear like it’s the most natural conversation. Together, we’ve sparked an advocacy group here in Arizona, a loose band of encouragers lifting each other up. No heroes among us, just people saying, “Hey, you’ve got this—one step at a time.”
Life’s gone tactile now, and there’s a strange beauty in that. Braille bumps under my fingers, keyboard clicks like Morse code for my thoughts. Cameras with dials and buttons? They’re gold, things I can map in my mind, muscle memory overriding the dark. Tomorrow, I’m pulling out my Minolta Maxxum, that autofocus wonder with its forgiving heart. I’ll give it a go, no pressure, just curiosity.
Scanning the negatives afterward will be a puzzle, details lost to me, but that’s the thrill, isn’t it? An adventure in trust, handing the reveal over to the machine and whatever magic it uncovers.
I love this part, if I’m honest, the relearning. Figuring out angles by sound and feel, composing by instinct honed over lifetimes. Lights? Who needs ’em? I navigate just fine in the pitch black, a skill that’s equal parts survival and secret superpower. It’s all a gift, wrapped in loss, reminding me that sight was never the whole picture.
If you’re reading this and facing your own storm—big or small—know this: it’s okay to sit on that bench for a while. But don’t stay there forever. Reach for the hand extended, whether it’s a friend’s, a stranger’s at a support group, or the steady one from above. I’m still figuring it out, one humble frame at a time. Life? It’s good. Messy, blurred at the edges, but profoundly good.
Thanks for letting me share. Drop a note if this resonates. I’m all ears (and heart). Until next time, keep chasing what lights you up, however dim the path.
With quiet thanks,
Jefferson Davis
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Windsor 35
This incredibly quirky little rangefinder camera is a lot of fun to shoot. The Windsor 35 was developed and manufactured by Tōkō Shashin K.K, a.k.a. TKC, in 1953. TKC made quite a few cameras in the 40’s and 50’s, showcasing their creativity and innovation in the rapidly advancing field of photography. After WWII, they designed the Mightyy, a 17.5 mm paperback film camera, which was indicative of their forward-thinking approach. By the early 1950s, they were building a name for themselves and establishing a reputation amongst photography enthusiasts.
There is not a lot of information on the company, which adds a layer of mystery to their products and makes them even more intriguing for collectors. If any of you have any additional info on TKC or their other models, please let me know, as I’m eager to learn more about this fascinating brand. The Windsor 35 is not just a well-designed piece of machinery; it is a compact rangefinder camera that blends aesthetics with functionality. It is quirky, especially the rewind mechanism, which adds a unique character. To rewind the film, a person has to hold down the rewind button and turn the knurled rewind knob, creating a tactile and engaging experience. This is not a bad thing, but after rewinding twenty or so frames, you might wish there was another alternative to streamline the process.
I genuinely enjoyed shooting with the Windsor 35. There is no light meter in a camera of this era, which can be a bit daunting for new users. A person can buy a cold shoe light meter that works great with it or use an app on a mobile device, bridging the gap between vintage charm and modern technology. I use the Pro Light Meter app most of the time, and it has never let me down; it is always accurate and reliable, making it an excellent companion for my shooting adventures.The shutter goes from Bulb mode to 1/200th of a second, offering a variety of options for exposure. The shutter is crisp and in time on my model, delivering results that inspire confidence. The lens is a sharp 50mm f/3.5 T.K.C Color Sygmar lens, which produces images with a pleasing depth and clarity. F/3.5 was standard for the time for any rangefinder, though it still provides excellent performance in various lighting conditions.
That may not be a big enough aperture for some people, especially those who prefer shooting in low-light situations, but really, are you going to be doing street shooting or portraits in the dark? I used a flash with mine at a vibrant Christmas party and got amazing results from this little camera, showcasing its potential to adapt and perform well even in challenging environments. The rangefinder is accurate and the focusing system is smooth, making it a joy to use for both seasoned photographers and beginners. Like all tools, each one takes a bit of time to get used to it, but especially with a camera as user-friendly as this, it doesn’t take long to master its quirks and features.
This little camera is sleek and a conversation piece, often attracting attention and compliments wherever I take it. It also is somewhat rare, with limited availability in today’s market. There is not much information on these cameras or their manufacturer, adding to their allure among enthusiasts and collectors. If I held onto this one, it would be worth a lot more one day, given its uniqueness and the nostalgia it carries. But, I have a rule about cameras: if I haven’t used it in a year, I have to sell it. I haven’t stuck to that rule of late, but I’m consciously reinitiating this guideline. I’m selling this one on to someone who will genuinely enjoy it, giving it a new life in the hands of another creative individual. Besides, I have my eye on another rangefinder that I will hopefully talk more about soon, which will bring fresh experiences and new stories to capture.
This camera is the later version and has a flash sync port, which is a valuable addition for creative photography. I tested this feature and it does work well, enhancing the versatility of the camera. The shutter is crisp, and the aperture blades are smooth as butter, allowing for seamless adjustments while shooting. I currently have it listed on eBay for those interested in adding this charming camera to their collection. Go check it out; you may be the winning bidder who gets to explore its creative possibilities. If you have any questions about it, or if you’re curious about my experience with it, feel free to leave your comment or question below. Thank you for your interest!
