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Episode 1 of f/128
In this packed episode of f/128, I dive into the fascinating world of affordable film cameras, exploring iconic brands like Minolta, Pentax, Praktica, and Zenit that have left a lasting legacy in the photography community. With film photography making a remarkable comeback among enthusiasts and new creators alike, now is arguably the greatest time to grab a few of these jewels from a bygone era before they inevitably become too expensive and scarce. As more individuals seek budget-friendly film cameras for various purposes, whether for school projects, personal exploration, or simply for the joy of capturing moments, it is all too easy to get lost in the allure of YouTube hype videos and countless blog posts filled with opinions.
In my previous post on this blog, I thoroughly go over my picks and the rationale behind them, emphasizing not just their affordability but also their unique characteristics and potential to enhance your photographic journey, encouraging others to embrace the magic and nostalgia that comes with shooting on film.
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Affordable Cameras
In my venture to find the ultimate deal on a film camera, I have come across numerous offers, some may have seemed too good to be true.
That’s like that old saying goes, if a deal seems too good to be true, it probably is. I am more than half a century old and have had to learn this the hard way, as my journey through photography has been filled with lessons learned from both successes and mistakes.
The Minolta srT line of cameras can be had with a lens for $30 plus shipping, making them an incredibly accessible option for beginners and enthusiasts alike. Different models offer various features, but they are all great cameras that have stood the test of time. The lenses that come with these cameras are known for their accuracy and sharpness, capturing images that are true to life, as they say. That being said, if you are looking for that ethereal feel in your photographs, you’ve got to try a Pentax as well, as they offer a unique quality that can elevate your work significantly.
The Pentax ME Super can be purchased on eBay for between $30-$50 with a lens, which is another steal in the world of film photography. They are equipped with full auto exposure control, yet also offer manual control with two convenient buttons on the top plate, allowing for flexibility in shooting conditions. The K1000 stands out, of course, because of its reputation and usability, but they are selling for upwards of $200 at present in December 2024—showing how highly regarded they are among film photographers. However, the ME Super presents a nice compromise and serves as a great camera for the price, combining quality and affordability seamlessly.
An older, but superior in my opinion, Spotmatic, can sometimes be acquired within the same price range and usually comes bundled with one of the amazing Takumar lenses. While these cameras may often show signs of age and require some TLC, they are well worth the time and effort you invest in them.
Another hidden gem from behind the iron curtain are the Praktica cameras. The MTL line of SLRs was amazing in its own right, blending functionality with reliability. We all take a chance when purchasing one of these cameras, but when they work, they perform exceptionally well; the lenses are absolutely stunning and sharp, producing images of remarkable quality. The Zenit cameras were good as well, though their lenses were generally regarded as superior to the camera bodies, which often seemed to present a problem.
Regardless of what you end up with, the essential point is to get out there and shoot some film. My entire goal is to inspire you, the reader, to rise up from your seat and start your photography journey. Whether you’re using a $5 point-and-shoot from a charity shop or a vintage SLR, the important thing is that you’re actively capturing moments; at least you’re doing more than the guy that talks about it all the time without ever picking up a camera. Get out there, embrace the adventure, and shoot!You May Also Like
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Windsor 35
This incredibly quirky little rangefinder camera is a lot of fun to shoot. The Windsor 35 was developed and manufactured by Tōkō Shashin K.K, a.k.a. TKC, in 1953. TKC made quite a few cameras in the 40’s and 50’s, showcasing their creativity and innovation in the rapidly advancing field of photography. After WWII, they designed the Mightyy, a 17.5 mm paperback film camera, which was indicative of their forward-thinking approach. By the early 1950s, they were building a name for themselves and establishing a reputation amongst photography enthusiasts.
There is not a lot of information on the company, which adds a layer of mystery to their products and makes them even more intriguing for collectors. If any of you have any additional info on TKC or their other models, please let me know, as I’m eager to learn more about this fascinating brand. The Windsor 35 is not just a well-designed piece of machinery; it is a compact rangefinder camera that blends aesthetics with functionality. It is quirky, especially the rewind mechanism, which adds a unique character. To rewind the film, a person has to hold down the rewind button and turn the knurled rewind knob, creating a tactile and engaging experience. This is not a bad thing, but after rewinding twenty or so frames, you might wish there was another alternative to streamline the process.
I genuinely enjoyed shooting with the Windsor 35. There is no light meter in a camera of this era, which can be a bit daunting for new users. A person can buy a cold shoe light meter that works great with it or use an app on a mobile device, bridging the gap between vintage charm and modern technology. I use the Pro Light Meter app most of the time, and it has never let me down; it is always accurate and reliable, making it an excellent companion for my shooting adventures.The shutter goes from Bulb mode to 1/200th of a second, offering a variety of options for exposure. The shutter is crisp and in time on my model, delivering results that inspire confidence. The lens is a sharp 50mm f/3.5 T.K.C Color Sygmar lens, which produces images with a pleasing depth and clarity. F/3.5 was standard for the time for any rangefinder, though it still provides excellent performance in various lighting conditions.
That may not be a big enough aperture for some people, especially those who prefer shooting in low-light situations, but really, are you going to be doing street shooting or portraits in the dark? I used a flash with mine at a vibrant Christmas party and got amazing results from this little camera, showcasing its potential to adapt and perform well even in challenging environments. The rangefinder is accurate and the focusing system is smooth, making it a joy to use for both seasoned photographers and beginners. Like all tools, each one takes a bit of time to get used to it, but especially with a camera as user-friendly as this, it doesn’t take long to master its quirks and features.
This little camera is sleek and a conversation piece, often attracting attention and compliments wherever I take it. It also is somewhat rare, with limited availability in today’s market. There is not much information on these cameras or their manufacturer, adding to their allure among enthusiasts and collectors. If I held onto this one, it would be worth a lot more one day, given its uniqueness and the nostalgia it carries. But, I have a rule about cameras: if I haven’t used it in a year, I have to sell it. I haven’t stuck to that rule of late, but I’m consciously reinitiating this guideline. I’m selling this one on to someone who will genuinely enjoy it, giving it a new life in the hands of another creative individual. Besides, I have my eye on another rangefinder that I will hopefully talk more about soon, which will bring fresh experiences and new stories to capture.
This camera is the later version and has a flash sync port, which is a valuable addition for creative photography. I tested this feature and it does work well, enhancing the versatility of the camera. The shutter is crisp, and the aperture blades are smooth as butter, allowing for seamless adjustments while shooting. I currently have it listed on eBay for those interested in adding this charming camera to their collection. Go check it out; you may be the winning bidder who gets to explore its creative possibilities. If you have any questions about it, or if you’re curious about my experience with it, feel free to leave your comment or question below. Thank you for your interest!
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Living in the Tonto National Forest in the High Desert
In May of this year, I wrote about moving to Arizona; in fact, it was my last post. We were so busy with selling the house and the chaos that ensued and finding a place to live out here that I didn’t update the blog. We’ve been living in the Tonto National Forest for almost two months. As you might imagine, moving across the country is an arduous journey and costly.
We are still unpacking and getting life sorted out. I transferred out here and then started a new job in late August. Life has been hectic, but we are loving it. One of the major reasons we chose Arizona, other than the fact that Deana is from this great state, was its stunning natural beauty, which has offered us endless opportunities for exploration and adventure. The vast landscapes, with their unique rock formations and diverse ecosystems, have become our new playground. Each weekend, we try to set off on new adventures. The local attractions are truly spectacular, and we rarely find ourselves bored with so much to see and do.
I tell people that it is a lot like the mountainous area of South Carolina. It is a more arid climate, of course, the flora and fauna are different, but the people are a lot like they are at home. We live in a small tourist town that more than doubles in size during the summer. The ponderosa pines and mesquite trees sing with glee and give off a glorious scent. The community here is vibrant and welcoming, and we’ve already made a number of friends who have introduced us to local customs and hidden gems that we might have otherwise missed. We’ve also participated in local festivals and farmers’ markets, where we’ve sampled delicious regional dishes and handmade crafts that showcase the talent and creativity of the local artisans.
The Mogollon Rim is one of the most breathtakingly beautiful places I have ever seen in my six decades on this earth. On a particularly wet Sunday afternoon a few weeks ago, we drove up to the top of the rim, or at least as far as we could get on pavement, and looked out over all the Ponderosa pines covering the Mazatzal mountains. As we arrived at the lookout, clouds rolled in below us, offering a heavenly vista of the world below, so serene and picturesque. This experience alone made all the challenges and hardships of our move worthwhile. The tranquility of the forest, coupled with the majesty of the towering cliffs, makes this place a true sanctuary.
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Columbia Trip
Natural curiosity had us traverse the bustling streets of Columbia, South Carolina, on a serendipitous Tuesday. This was not just a pleasure trip; it masked a significant purpose, deeply personal and life-adapting. As my vision dims and the world blurs, Deana and I ventured forth to the Commission for the Blind. The aim? To understand the beacons of technology that might light the way in my everyday life now altered by encroaching blindness.
The Commission presented an ocean of possibilities, devices, and applications as potential guides in this darkening world. Among them, a digital magnifier came into focus. More than a mere amplifying lens, this marvel promises the restoration of the written word to my fingertips or, more impressively, to my ears with its ability to read out loud. Another assistive light in the dark is JAWS, a screen reader that narrates the digital tapestry spread across my computer screen, a herald of inclusivity in the digital age.
These technological lifelines, while ingenious, do come at a price. The South Carolina Commission for the Blind stands as a sentinel, providing support with the backing of both public generosity and private benevolence. The assistance I receive is not merely institutional—it is human compassion crystallized into action, a shared triumph over adversity. Only time will tell as to how long this process of receiving these assistive technologies takes.
The evaluation culminated against the historic backdrop of the State House, a place saturated with the echoes of the past. Immortal stories are etched within its domain, awaiting a voice to bring them to life. Dominating the landscape, the statue of George Washington stands tall, with its broken cane bearing witness to the passage of time. In the year 1865, it was not the thundering cannons or gunfire that struck a blow, but rather a simple brick hurled at the bronze figure of Washington by federal soldiers, an act leaving a permanent scar that recalls Sherman’s occupation and the lasting impacts of his military campaign.
Our pilgrimage through these monuments spoke of the delicate balance between the transient present and the immutable past. The grandeur of museums, the silent watch of monuments, the intricacies of architectural marvels—all whispered histories long etched into the city’s soul. And as historians in our own right, we engaged with this dialogue.
Armed with but one roll of film and my cherished Pentax Spotmatic F, I endeavored to capture the essence of Columbia within its crisp frames. The anticipation of revealing those moments, suspended in the chemicals of development, fills the gap left by short hours and unvisited mysteries.
Columbia—the very name evokes images of power, law, education. Here, the hum of activity is punctuated by the youthful zest of students, the calculated gravitas of legislators, and the astute discourse of the bar. To be amidst this whirlwind and yet find solace in its eye is the dance of city life, thrilling in its pace, comforting in its labyrinth quietude. It leaves one exhilarated, weary, and in perpetual chase of the balance between the pulsing heart of urbania and the restorative calm of an Upstate retreat.
Returning home, the experience lingers like vivid afterimages—between the hopeful promise of aiding technology and the echoing footsteps across historical grounds, Columbia stands both as witness and participant in the march of time and the unfolding narrative of my life’s evolving chapter.
