• A photograph of the South Carolina State House.
    Life,  Photography

    Columbia Trip

    Natural curiosity had us traverse the bustling streets of Columbia, South Carolina, on a serendipitous Tuesday. This was not just a pleasure trip; it masked a significant purpose, deeply personal and life-adapting. As my vision dims and the world blurs, Deana and I ventured forth to the Commission for the Blind. The aim? To understand the beacons of technology that might light the way in my everyday life now altered by encroaching blindness.

    The Commission presented an ocean of possibilities, devices, and applications as potential guides in this darkening world. Among them, a digital magnifier came into focus. More than a mere amplifying lens, this marvel promises the restoration of the written word to my fingertips or, more impressively, to my ears with its ability to read out loud. Another assistive light in the dark is JAWS, a screen reader that narrates the digital tapestry spread across my computer screen, a herald of inclusivity in the digital age.

    These technological lifelines, while ingenious, do come at a price. The South Carolina Commission for the Blind stands as a sentinel, providing support with the backing of both public generosity and private benevolence. The assistance I receive is not merely institutional—it is human compassion crystallized into action, a shared triumph over adversity. Only time will tell as to how long this process of receiving these assistive technologies takes.

    The evaluation culminated against the historic backdrop of the State House, a place saturated with the echoes of the past. Immortal stories are etched within its domain, awaiting a voice to bring them to life. Dominating the landscape, the statue of George Washington stands tall, with its broken cane bearing witness to the passage of time. In the year 1865, it was not the thundering cannons or gunfire that struck a blow, but rather a simple brick hurled at the bronze figure of Washington by federal soldiers, an act leaving a permanent scar that recalls Sherman’s occupation and the lasting impacts of his military campaign.

    Our pilgrimage through these monuments spoke of the delicate balance between the transient present and the immutable past. The grandeur of museums, the silent watch of monuments, the intricacies of architectural marvels—all whispered histories long etched into the city’s soul. And as historians in our own right, we engaged with this dialogue.

    Armed with but one roll of film and my cherished Pentax Spotmatic F, I endeavored to capture the essence of Columbia within its crisp frames. The anticipation of revealing those moments, suspended in the chemicals of development, fills the gap left by short hours and unvisited mysteries.

    Columbia—the very name evokes images of power, law, education. Here, the hum of activity is punctuated by the youthful zest of students, the calculated gravitas of legislators, and the astute discourse of the bar. To be amidst this whirlwind and yet find solace in its eye is the dance of city life, thrilling in its pace, comforting in its labyrinth quietude. It leaves one exhilarated, weary, and in perpetual chase of the balance between the pulsing heart of urbania and the restorative calm of an Upstate retreat.

    Returning home, the experience lingers like vivid afterimages—between the hopeful promise of aiding technology and the echoing footsteps across historical grounds, Columbia stands both as witness and participant in the march of time and the unfolding narrative of my life’s evolving chapter.

    A color picture of the South Carolina State House
  • Episode 3 of Coffee with Jefferson Davis Cover

    Episode 3

    Welcome back to the fascinating world of photography and development in the latest episode of Coffee with Jefferson Davis. As we dive deep into the intricacies of film development, it’s evident that this segment is an essential guide for both enthusiasts and professionals in the field.

    In this third installment, I’ve focused on a game-changing developer known as 510pyro. Through an in-depth comparison, I highlight why 510pyro stands out amongst a sea of film developers, shedding light on its unique properties that make it superior. The discussion doesn’t just stop at comparisons, however; I delve into the technical how-tos of using 510pyro, providing valuable insight gleaned from personal experience and extensive experimentation.

    One of the compelling facets of 510pyro is its versatility. Whether you’re processing high-speed films or pushing your medium-format shots to their limits, 510pyro adapts beautifully, yielding results that are both consistent and impressively detailed. Its ability to enhance the grain structure and maximize acutance makes it an excellent choice for photographers seeking a distinctive look in their analog work.

    The conversation takes a slight detour into the realm of politics, tying in how cultural shifts and technological advancements are influencing the world of film photography. It’s an interesting sidebar that connects the dots between our creative passions and the larger societal context they exist within.

    Regrettably, this episode was out of sequence with the series due to a mishap on my part. Rest assured, this won’t be the norm moving forward. As we work to streamline the series, I’m thrilled to announce that future episodes will offer an audio-only option. This feature is a plus for those looking to save on bandwidth while still indulging in their passion for photography.

    And the excitement doesn’t stop there. For fans eager to dive deeper into photographic artistry, keep an eye out for the upcoming Issues of my magazine, Purblind Illumination. This publication is yet another avenue to explore the nuances of imagery and artistic expression.

    So, stay tuned and keep your subscription active to not miss out on any of these enriching discussions and future developments. Whether it’s through our podcast episodes or the pages of “Purblind Illumination”, the journey through the art of photography continues to both educate and inspire.

  • Purblind Illumination Magazine
    Photography

    The First Issue of Purblind Illumination

    The arrival of the inaugural issue of “Purblind Illumination” in my mailbox was like a shaft of light piercing through the morning mist, courtesy of the diligent postman. The anticipation gave way to sheer delight as I admired the impressive tactile quality of the paper – its thickness, shadow detail, and the subtle sheen that seemed to caress each image.

    Crafting this initial publication, I was intensely focused on the content as much as the aesthetics. The thickness and quality of the paper were not incidental. They were deliberate choices designed to showcase the photographs to their utmost potential. Each page was intended to be so much more than simply a part of a magazine—it was an individual frame-worthy print. It was essential that the visual stories I was telling appeared as I intended, fully embodying the narrative captured in that frozen moment of time.

    Limited to 24 pages, the decision on brevity was as much an economic one as it was a qualitative one. Priced at an accessible $10 each, these pages are not merely to be flipped through, but to be pondered over, potentially even adorning the walls of those who appreciate the imagery as much as I do. To own a piece of “Purblind Illumination” is to possess a slice of artistic vision, one that could easily be mistaken for a standalone photograph in a frame.

    Looking ahead, I envisage the evolution of subsequent issues. The current brevity will give way to a more elaborate narrative, where the imagery is complemented with background stories—texts that give insight into the captured moment. I aim to share the contemplations that preceded the click of the shutter, the accidental or painstakingly planned events that led to the final composition. This additional context will enrich the visual experience, providing a depth that completes the story each photograph intends to tell.

    However, the crux of this venture battles against financial constraints. Maintaining affordability while producing a product of such high quality is a juggling act of sorts, with the commitment to keep the price below $20 an issue. This is not a lucrative endeavor; rather, it is one of passion and gratitude. Each magazine sold isn’t just a transaction; it is a meaningful exchange, support for my vision and lack thereof—quite literally—as I navigate the reality of my impending blindness.

    I have previously confided about my vision; time is becoming a precious commodity, a dwindling resource. As I continue to document the world through my unique perspective, I will be seizing life, moment by moment, distilling it into a still image. The prognosis gives me a finite window of around two years of sight, during which I intend to pour my heart into this project.

    While the future may see subtle tweaks to the format of “Purblind Illumination,” these changes will be inconsequential compared to the core of what the magazine represents—my lasting visual legacy, a testament to the beauty and poignancy of life as seen through my lens.